THE PRODUCTION

Troy Lyndon, a very well known
figure in the video games business and CEO
of two major production companies approached
film and video director, Tom O'Mary
to write and adapt the story of the Last Supper.
Taking five months to write the screenplay
Tom researched several versions
of the Bible and the book
"The Life and Times of Jesus the Messiah"
by Alfred Edersheim (1883) for material.

Troy Lyndon selected a team
of talented individuals to construct a
one room set and collect props.
Production Manager, Robilyn Hufford began the task
of casting actors for the key parts.

Richard A. Turner began
raising funds for the project
and trailers.

An indoor recreation of the Upper Room described in
The Bible was built inside an
electronic (green chromakey) stage by Rich Hufford.

The Shoot took 20 nights
of hard work as many actors commuted
after a full days work to participate.
Director of Photography, Randy Ives prepared shots
while assistants June Austin and
Victoria Baker kept things in order throughout
the shooting period.


A religious drama was difficult material
to tackle before Mel Gibson
broke through with "The Passion of the Christ".

Dan Matriciano came aboard
to provide editing equipment.
Ellen Christensen began editing.


The entire project was converted
to the digital format.

Music composer Eric Scot Frydler
enhanced the production, creating a
wonderful original score that completed the teleplay.